Digital Paper, eBooks and Multimedia Storytelling

Although I still subscribe to two newspapers and I love to read magazines and books, I am nonetheless excited about all the new eBook readers and digital paper technologies becoming available. With so many newspapers in trouble, many writers and readers are going digital.

The Kindle has really sparked a firestorm of recent interest, but there are a ton of other fascinating projects going on. Soon I hope to be digesting blogs, watching video, and reading articles and novels on a paper-thin, flexible color screen with tiny hi-def speakers. Bring it on!

Check out the links below for info on eBook technology, digital paper and what all this is doing to storytelling.

Watch Richard Archuleta, CEO of Plastic Logic demonstrate the world's first electronic reader aimed specifically for business users:
(Also see some other video from Plastic Logic.)

Both Plastic Logic and Kindle were recently mentioned on NPR's Marketplace (April 13, 2009): "New e-readers get a big push. E-readers allow users to read books digitally, but sales of the hand-held devices have grown slowly. That may be changing as Amazon and Sony, along with some well-funded start-ups, push a new generation of e-readers. Mitchell Hartman reports." (Listen to the MP3)

Kindle is Cool, But Color Ebook May Save Civilization
Is the digital savior of the sagging magazine industry finally in sight?

Flexible Displays Closer to Reality, Thanks to U.S. ArmyImagine a screen so thin, light and flexible that it can be rolled up and carried in your pocket, while consuming almost zero power. Phillips electronics is also working on a similar epaper technology.

The folks at TechCrunch are working on a great potential product that will be "a very thin and light touch screen computer, sans physical keyboard, that has no hard drive and boots directly to a browser to surf the web." Ladies and gentlemen, The CrunchPad.

Check out the review of the eSlick eBook reader that was announced before the Kindle2.

Samsung ready to roll out Papyrus touchscreen ebook reader Will the touchscreen make this a Kindle killer?

Readers and writers are also starting to develop technologies and communities to adapt and support this new way of publishing (or is it broadcasting?).

Wattpad is called "The World's Most Popular eBook Sharing Community." Self-publishing is also flourishing in this new world at places like WEbook. A company called Vook.tv is in private beta, but promises to be a site to promote and distribute a multimedia hybrid of books and videos.

Is This the Future of the Digital Book? Read about Vook and many other companies in this great NYT article.

The New Storytelling: Multimedia Children's Publishing Kids' publishing houses lead the way in developing multimedia platforms.

Fujitsu shows off colour e-book display. It's new, it's Japanese and it is almost ready for prime time.

My Deep Zoom Comic and a Busted Narrative Structure

How is Narrative Structure Influenced by Presentation Format?

I just drew a comic about something that happened to me in the dot com days. I've posted it online in three different formats, partially because I wanted to see how different forms of presentation might change the overall feel of the story. I like the Silverlight Deep Zoom version the best by far. It allows the reader to scroll left and right and up and down. Plus it allows the reader to zoom deep into the image, seeing all the detail and even finding images within images. This "resolution independence" has allowed authors and creators to create unique new modes of storytelling.

Does it destroy the integrity of the story line and plot? You tell me. Perhaps our scattered, divergent, web-era minds crave stories where multiple plot paths intersect and overlap. It's often how we read the web, leaping from story to link to picture and back. Are these narrative asides just bad habits of an internet-infected mind? I actually think that, done well, these techniques can free creators to tell a multi-dimensional story like never before.

Above is the Microsoft Silverlight Deep Zoom version. This allowed me to tell the story the way I really wanted to. It allows for the best resolution and easiest user controls. Hover over the image and you'll see the controls to zoom in and out. You should also be able to use your scroll wheel. Go Full Screen!

Don't miss the hidden images. Some are easy to find, but some are much harder. The whole "resolution independence" of Deep Zoom allowed me to overlay images. If the reader zooms into a tiny spec on a photo, that spec may reveal a full-resolution photo that itself can be zoomed into. Theoretically infinite.

Find the following hidden images:

1. A Thai food menu.
2. Three pictures of Hawaii.
3. Another entire comic.
4. A pixel farmer farming pixels.
5. A spreadsheet.
6. Tripod.com home page.
7. A picture of me during the dot com days yelling at a phone.

You'll need the Silverlight plug-in which is a very quick install.

Sorry, I can't get it to work on the Mac yet. Silverlight is totally cross-browser and cross-platform, but the Deep Zoom composer tool is still a young product and the output is not fully optimized (which means a lot of tweaking of the XAML which I'm not an expert with.)

This is the Flash version. I bet with a little extra work I could simulate the Deep Zoom effect, but I'm just not a Flash guru. I want to spend time making stories and not doing multimedia development. This version works pretty good, but it forces the reader into one linear path.



This is the HTML version. This is so old school! Just some big-ass JPEGs stuck in a table (about 4.5 meg). I like this because it is simple and it works cross-browser, but ultimately it's kind of a pain in the butt to scroll around using the browser controls...too much effort.


All this makes me think about traditional narrative structure and the "The Freytag Pyramid." Gustav Freytag was the German writer who described a system for dramatic structure back in 1863. It's a mighty nice structure and I use it often. But, I also strive to bust that sucker up.



Check out the recent Wired magazine article by Scott Brown called "Why Hollywood Needs a New Model for Storytelling" to learn about Freytag deviants.

If you like this stuff, then check this out:

Video Below: Scott McCloud, graphic novel guru, talks about infinite canvases and digital comics at the TED conference.


This is an ancient interactive story I made back in the mid-90s. I was experimenting with the choose-your-own-ending storybook concept.



Download Microsoft Deep Zoom composer and make your own infinite canvases.

Learn how Deep Zoom works here and here.

View more of my dot com comics.

3D Animation Gets Gooder and Gooder

A host of new 3D animators are cranking up the quality bar. Check out these examples of cutting edge technical and creative wizardry.

Emily: She's not real
Image Metrics (the production company that created the animations for Grand Theft Auto) made a splash this week with Emily, created using their new 3D modeling technology. It captures the movements and expressions of real actors and re-creates it all in the computer in a creepy way.

Oktapodi
A student film about amorous octopi from Gobelins, the French school of visual design that has produced tons of amazing animators.

Also, don't miss the "making of" video.

Big Buck Bunny
Big Buck Bunny is an open source movie made with open source software from The Blender Foundation. They created this movie under a software development type model, all to promote the use of their tools.

Check out the "making of" video.

My Morning Jacket Music Video
For their song, Touch Me I'm Going To Scream Pt. 2, My Morning Jacket had the creative team at Mixtape Club create an amazing 3D animation.

Opportunities for Content Creators

Andrew Baron, creator of Rocketboom, recently talked to Beet.tv about the numerous opportunities that exist for digital content creators. Now, more than ever, individuals and small shops can make a living creating original programming for the web and mobile devices. He talks in detail about how to approach entrepreneurial efforts in the fields of digital film making, story development, online video and web show production.

The Rocketboom folks just announced a seven-figure distribution deal with Sony this week, so this is a content team that knows what they are talking about.

Digital Media Entertainment Studios

As a producer and consumer of digital media, I find it encouraging to see such a healthy crop of newfangled filmmakers. These are companies dedicated to creating content pieces for digital distribution. Like studios set up to create TV or movies, the internet studios are generating new works and releasing them to a mass audience.

For example, the makers of LonelyGirl 15 have transformed themselves into "EQAL (pronounced “Equal”), the social entertainment company dedicated to redefining the way we interact with content and with each other."

"Worldwide Biggies is a Digital Entertainment Studio that’s redefining entertainment by creating hit properties for young adults and the digital family."

"Next New Networks is a new kind of media company, creating micro-television networks over the internet for targeted communities, bringing together elements of tv programming and internet philosophy to allow viewers to contribute, share and distribute content."

Generate is "new content for a new generation. With the entertainment industry undergoing a seismic shift in reaction to the rapidly changing consumption habits of the youth and family audience, we recognize there now exists a unique opportunity to create a forward-thinking company that understands both this audience and their increasing demand for content across multiple platforms."

60 Frames is "a company specifically focused on financing and syndicating web content, in an environment where artists maintain creative freedom, significant profit participation, ownership and control over their properties. 60Frames provides financial, legal, creative, physical, marketing and distribution resources to professional artists who wish to create original, high quality programming for the internet and other digital media platforms."

Vuguru is Michael Eisner's company that is producing high-quality digital entertainment properties. Learn more about this in my recent post from Eisner's recent keynote speech.

Endemol is a thriving production entity that creates powerful content for all media platforms. They've done Big Brother and Deal or No Deal and are focused on both traditional and emerging technologies.

Stage 9 Digital Media is an ABC TV offshoot focused on creating digital programming for internet audiences. They are syndicating rapidly to YouTube, Hulu, Zvue and even on the Xbox among others.

"Electric Farm Entertainment is a digital studio for the development of intellectual properties across multiple platforms." They are the studio creating Gemini Division, the online sci-fi series available at the NBC website.

"Medialink helps professional communicators and the media engage their intended audiences with compelling video and audio distributed via the Web, television and radio. We produce award-winning video and audio content that is promoted and distributed to broadcast and broadband media outlets"

Animoto Online Slideshow with Soundtrack

Animoto is a fun online tool for your pictures and audio. I uploaded some silly images I created and a song I recorded with friends a while back. The Animoto engine spit out the following video.



As they describe themselves, "Animoto Productions is a bunch of techies and film/tv producers who decided to lock themselves in a room together and nerd out.

Their first release is Animoto, a web application that automatically generates professionally produced videos using their own patent-pending technology and high-end motion design. Each video is a fully customized orchestration of user-selected images and music. Produced on a widescreen format, Animoto videos have the visual energy of a music video and the emotional impact of a movie trailer."

Cre8 Day 3: Michael Eisner, the Master Digital Story-Teller

Yesterday the Cre8 Conference kicked off with keynote speaker Michael Eisner, former CEO of Disney. He is a consummate story teller and master business man. Here are some of the creative ideas he shared.

Think inside the box.
Make sure the box is the right size.
Micromanage it.

Eisner is a notorious micro manager. Often this is a negative connotation, but for him it worked. He even called the front desk of our resort this week to complain about the shampoo and conditioner. Where were the easily-readable designs he instituted during his all-seeing reign?

He had great stories of his film-world adventures. There were the flops like 1980's "Raise the Titanic". Producer Lord Lew Grade once said of the over-budget fiasco, "It would have been cheaper to lower the Atlantic."

There were the hits like "Raiders of the Lost Ark". Apparently that scene where Indiana Jones shoots the sword fighter came about because Harrison Ford had digestive problems as they were getting ready to shoot the final fight scene. Spielberg finally said, "Oh, just shoot him and you can go home." And thus was born a classic comedic scene where once was a planned battle scene.

He's doing some exciting things now-a-days. His new company Tornante is making short-form entertainment for digital distribution on mobile and Internet platforms. His son makes advertisements and is spending $1.3 million for 30 seconds. Eisner and his new stripped-down crew are spending $1,200 for 30 seconds. He called the Internet "creative experimentation." He's making "story-driven Internet video." Tornante is creating series like "Prom Queen" thru his company Vuguru.

He's a major stake-holder in Veoh, one of the top 30 sites in the US and the video site with the longest "engagement metrics" (people watching videos for more minutes than other sites). He also recently bought Tops, and is re-vamping the 50 year old brand best known for baseball cards and Bazooka Joe.

He talked about consistency and managing every little detail. Find out what the brand stands for and what it doesn't stand for. How big is the box? When he joined Disney, the international division was translating/dubbing the films with startling inconsistency. Huey, Dewey and Lewie were often being voiced by the same actor. Mickey had a different voice (and thus personality) in every country. By the time he left, you could barely tell the international versions of the films apart except that the characters were speaking in different languages.

He quoted famous industrialist Thomas J. Watson who once said "If you want to succeed, double your failure rate." Eisner also said that "to punish failure is a good way to encourage mediocrity. Fearful people will settle for mediocrity."

He sounds like he is having fun. He says he's making it up as he goes along. The Internet is a story-driven medium. He is a self-described Internet addict. He's helping to create a new form of distribution and learning how to generate programming for the Internet. His vision for the next 20 years is that digital is the place to be, the Internet will overtake all mediums as the distribution platform for modern story-tellers.